Saturday, 4 May 2024

Sizewell - Beauty and the Beast

When I think of Sizewell on the Suffolk coast, my mind immediately jumps to Nuclear power stations, and conjours up all sorts of negative thoughts surroundng them.
There is another side to Sizewell and these are a few images to illustrate the beauty all around.


The beach is like a lot of the surrounding area - shingle. Not easy to walk a great distance on. There are a lot of boats on the beach and I picked just this one out with the two offshore platforms in the background. 
The platforms (now defunct) were there to service the intake and discharge tunnels used to run sea water through the cooling system. The cold water inlet was the farthest platform and the hot water outlet was the nearest platform.


Taken on a previous visit when the sea was not so calm.


I named this image `layers` as it appears to be in layers of colours.


One of the dominant colours was yellow - yellow gorse everywhere, and the perfume was gorgeous.


I had to include  `the Beast` - Sizewll B. The new C reactor is underway but there is a long way to go before it comes online. 




Thursday, 2 May 2024

The three Marys - local churches

Raydon - St Mary


This is a church, local to where I live, that I had not explored at all in the past. One of the reasons I decided to start here today was that a local man had just finished carving a font cover and I wanted to have a look. However, starting on the exterior, it becomes obvious that it has no tower which I soon discovered had collapsed in the 17th century, possibly during the great storm of September 1658, when a couple of other Suffolk steeples came down. It has been replaced by a little bell turret, but apart from this the church is all of an early 13th century piece.


Side (south) view of the church with the small bell turrett on the left (west) end with the pyramid roof. I read that the 2 foot 6 inch thick walls of the church are constructed of flint and rubble, with plaster rendering. Caen stone is used for windows, buttresses and doorways.


As you approach the east end of the church while walking the footpath toward it, you will see a large 19th century window flanked by two fine buttresses terminating in richly traceried octagonal shafts, with pinnacled and crocketted finials. These were restored in 1983 by the sculptor Bert Gale. 


South side wooden porch


The Victorian pews in the nave are made of oak, replacing the Georgian hardwood box pews in the restoration of 1883. Part of the old box pews were used to panel in the bottom of the Victorian pews.


So to the font cover crafted by a local man who has a great reputation for his working skills and has worked on places like Windsor Castle after the fire of November 1992.


In December 2023 `A Suffolk church has unveiled a painting of King Charles III’s new coat of arms, believed to be one of the first in the country to do so. The mural was revealed in a special service by Judge John Devaux at St Mary’s Church in Raydon` - according to the local news.


So, not too altered by the Victorians, as many churches are. Then onto - 

Tuesday, 23 April 2024

Snape Church of St John the Baptist

Like many medieval churches in Suffolk, St John the Baptist is remote from the village it serves. Or, it would be more accurate to say that the village is remote from the church, since the church stands on the main road from the A12 to Aldeburgh, and the village is off this road, a mile or so to the south. The position of the church probably reflects the fact that it is high, firm ground, while the village is in the marshes. 


There have been many internal as well as external alterations and restorations  over the years; not so many by the Victorians as was the common practice. The most recent of significance have been the rebuilding of the East Wall in 1920, (above) and the installation of a new organ together with improvements to the balcony and vestry at the millennium (below).


The new organ, and in front of it, the magnificent 15C font.

The treasure of the Church, despite some mutilation in the past, is undoubtedly the font, made c.1500 and once gilded. 
In his "Buildings of England: Suffolk", Nikolaus Pevsner describes "on the base a quatrefoil frieze, and inscription referring to Richard Mey and his family as donors; on the foot of the stem, small beasts crawling; against the stem, four signs of the Evangelists set diagonally, and kings and bishops placed frontally; against the bowl seven figures all holding one long scroll and in the eighth field the Trinity with the two donors". 



The font remains one of the most beautiful in the county.


Visitors are also attracted by the East window, designed and made in 1920 by Mary Lowndes.
"Mary Lowndes (1857–1929) was ... an influential leader in the Arts & Crafts movement, not only for her stained glass work and successful studio-workshop, but also for opening doors for other women stained glass artists. She was an active participant in the suffragette movement, acting as Chair of the Artists' Suffrage League, and creating poster art to assist the movement." — Wikipedia


A general view of the simple uncluttered church, looking East.



I think this was a representation of John the Baptist, but the details of who carved abd when, I do not know. All in all, an interesting church which I have passed many times but now visited!


Monday, 1 April 2024

The Harvest Mural

The 'Harvest' mural, situated at the back of the derelict Co-op department store on Carr Street in Ipswich, is one of only four surviving large-scale English Co-op murals created in the 50s and 60s. I originally photographed this mural in 2011
This piece, created by Hungarian artists, Gyula Bajó and Endre Hevezi, between 1963 and 1964, comprises thousands of colourful square mosaic tiles, depicting the Greek mythology characters of Demeter, goddess of the harvest and the messenger Hermes.


Planning permission was allowed in October 2021 to demolish the former store at 48 to 68 Carr Street to make way for a new primary school, nursery, along with a rooftop multi-use games area. However, the Grade II-listed mural on the rear of the building in Ipswich has impacted the delivery of the school.
The rare mural was given Grade II listed status last year, meaning that while the demolition could still go ahead, the mural would be preserved
In August, planning permission was granted to allow testing at the listed artwork, and when it was carried out asbestos was found within the fixing of the mural. So, work to be done removing the asbestos, before work can begin.

Sunday, 24 March 2024

Busking Showcase - Ipswich

Those hoping to follow in the footsteps of Ed Sheeran may be in luck as Ipswich Council hopes to encourage busking in Ipswich. They have developed a new guide to highlight the town as a destination for street musicians. This news came just ahead of a busking showcase event on March 23 which gave performers a chance to show off their talents. This was the event that I photographed a small fraction of, and some of my images are listed below. Great fun and I would think that it was a very successful day.


Eko the Sea Giant, a giant 13-feet puppet, performing as part of Autin Dance Theatre’s sensational outdoor show Out of the Deep Blue on the Cornhill.
Through puppeteering, dance and movement, Out of the Deep Blue explores the themes of the climate emergency and transports audiences to a different world. Although I watched for some time, I missed the point I am afraid! I should have picked up a leaflet I suppose. They did have a big audiance all the time we were in Ipswich.


Burgess Music is run by husband and wife team Tim and Zoe based on the Shotley Peninsula in Suffolk, who are musicians and educators. Burgess Music aims to support the learning of music in a fun and relaxed way alongside being able to offer engaging and personalised performances. This young lady on the left I guess was a daughter, handing out leaflets and dancing to mum and dad.


Swervy World musicians have been collectively honing their skills as a traditional jazz band since 1996. Originally the band was created from individual street performers who used street music as a way to earn a living while travelling from town to town.
Meeting each other at annual street fairs 'Winchester Hat Fair' and 'Stroud Folk Festival', this loose and often raggle taggle collective of street musicians would get together increasingly more regularly to share knowledge of new (old) tunes and take an occasional booking while using the street as a great place to hone skills and try out new arrangements. The band 'Swervy World' slowly morphed itself over the years into the set line up you see today. Some original crusty members of the early era are still with the band.


Suffolk Soul Singers - (Part of the Group) - "Suffolk Soul Singers is a dynamic community choir, now in its 13th year, led by vocalist and musician, Andi Hopgood.
We are a unique group of singers - not part of a local or national franchise - with a membership of around 35 women & men of varying ages. Together, we enjoy learning and performing soul & gospel classics, along with other, contemporary songs that are given a soulful twist.
Our performances range from simple busking gigs to major concerts in venues like The New Wolsey Theatre, The Apex & St. Peter's by the Waterfront. You can find out about our current planned performances by looking on our Gigs page.
Suffolk Soul Singers is a registered charity and profits from our performances are used to support outreach activities within the local area & further afield in Suffolk. If you know of a community group that might benefit from the well-being that singing together can bring,
Suffolk Soul Singers is a dynamic community choir, now in its 13th year, led by vocalist and musician, Andi Hopgood."



Two single artists whose names I couldn`t locate.


BareFootSoul - "A World-Class Vocalist, Acoustic Guitarist & Showman BearFootSoul is Matt White, a singer-songwriter and performer with 25+ years live music performance and entertainment industry experience, specialising in solo appearances for weddings and parties. Whether playing unplugged and organic or live looping over layered pro backing tracks - Matt unabashedly bares his BearFootSoul with a One man, One guitar show, giving One hell of a performance to remember! Your favourite classic tracks are shared in a riveting, captivating and engagingly spellbinding solo act. The BearFootSoul show is scaleable from campfire to large scale venues and events."




Friday, 8 March 2024

Private Aaron McClure

The story of AARON MCCLURE came to my attention when a newspaper article mentioning the mural that had been created in his memory. It was commissioned by the school in Ipswich, which he attended, and is on the wall in the front of the school. A brief history, as part of his funeral, is below the picture.

On the wall of the school where Aaron attended - Westbourne Academy in Ipswich

`Private Aaron McClure, who died on 23 August 2007 in a so-called “friendly fire” incident that also killed two other UK soldiers, was serving in Afghanistan with 1st Battalion The Royal Anglian Regiment.
Despite his young age – he was 19 at the time of his death - Private McClure was a veteran of more than forty conflict operations.
The two other soldiers who died were Private John Thrumble and Private Robert Foster
Colleagues described Private McClure as a highly capable, motivated soldier with great ambition and potential, but his talent was hidden by a modest, unassuming personality and a quiet confidence in his abilities.
He was regarded by colleagues as “incredibly focused” on his career and as tough mentally as he was physically.
Private Aaron James McClure, affectionately known as ‘Troy’, was from Ipswich. He joined the Army in March 2006 and completed rifleman training at the Infantry Training Centre Catterick.
In October 2006, Private McClure joined the 1st Battalion, The Royal Anglian Regiment, participating in exercises in the UK and Kenya.
He was deployed to Helmand Province in Afghanistan the following March to serve as a rifleman in 7 Platoon B (Suffolk) Company. It was his first operational tour and he was involved in many close-range engagements with the Taliban.
On 23 August 2007, PrivateMcClure’s platoon was on patrol near Kajaki, northern Helmand Province, when they came under attack by Taliban forces. Air support was requested from two American F15 aircraft and it appears that a bomb dropped by one of the planes hit the compound where Private McClure and his colleagues were located.`


Wednesday, 7 February 2024

Three Churches - Shottisham, Alderton & Bawdsey

Having made several journeys along this route, this was my day to visit the three churches that I have passed by each time. Starting with Shottisham. This is a rather pretty village which I had not visited before although I have driven past it. Having parked the car, I was warned, twice, by an elderly gentleman (older than me!) to take care climbing the steps to the church and to hang on to the railing. Bless him.
My first view of the church was this - once I had navigated the steps:


The church is dedicated to St Margaret of Antioch, a rather unusual dedication I thought, and was built in 1313 by the monks of Butley Abbey. There are signs that there was an earlier church building.
In 1969 Margaret’s feast day, formerly July 20, was eliminated in the revised calendar of the Roman Catholic Church because it is doubtful whether she ever existed. Nevertheless, during the medieval period she ranked among the most famous saints; her voice was among those attested to have been heard by St. Joan of Arc.


The East, Chancel end, of the church showing the North Aisle added in 1867 when the church was enlarged.


Another external view of the North Aisle



I think this may have been the Priest`s door.


The south porch


I was rather taken by the interior which I thought was rather lovely. I think the lights really set off the building. Note on the right the Rood Stair which would originally have led to the Rood Screen. Probably, like most screens, a casuallty of the Puritans in the 1600s. The East windows are Victorian.


Alderton and the church of St Andrew

Then onto Alderton just a few minutes away, and the first thing you see is - no tower! The tower, once a seamark, collapsed under its own weight during the 17/18th century and fell further in 1821. I thought it must have been in more modern time, but not so. This is another of the many `Victorianised `churches in Suffolk - they really `went to town` here!


Alderton Church of St Andrew.


The Church bell now hangs just outside the tower.


Love this door. Think it was on the South side.


The original Medieval font has not survived and this one was carved in the 1860`s


The rather plain interior.


Unusually, just a small harmonium instead of the grand affairs often found.


They may have no tower but the interior ceiling looks recently replaced, although it may be a lot older than I think.


Finally onto Bawdsey and the church of St Mary



This building is very much a miss-match of earlier buildings! The remains of the medieval church are set in the 17th century walls. The arcades were filled in with flint and brick, and the clerestorey broken down and replaced by a brick course. The church was a grand perpendicular affair, in the manner of Blythburgh, Covehithe or Southwold. However, like Covehithe, it was allowed to become derelict after the Reformation, and a new, smaller church built in the ruins, probably in the late 17th century. Remarkably, the former arcades were infilled for the walls, and you can still see them in the outside walls in the above image. The tower was in danger of collapse, and in the 1820s, the tiles of the church roof were replaced by thatch, to stop bits of stone breaking the tiles (it is hard to think of this as anything other than a short term measure.) Unfortunately, when a group of youths set off fireworks from the top of the tower on Guy Fawkes Night 1841, the thatch caught fire, and the church was completely gutted. The rebuilt church is basically a Victorian chapel with 17th century walls, a truncated tower (about two thirds was removed)


Bawdsey's story pivots around a man called William Cuthbert Quilter, whose family had amassed a fortune. They rented Hintlesham Hall in Suffolk for ten years in the 1880s, and then bought, at auction, the manordom of Bawdsey. As Lord, he built Bawdsey Manor between 1886 and 1910. Sir Cuthbert (as he now was) had been MP for Ipswich since the 1880s. He was, apparently, a man obsessed by real ale, and the only time he stood up in the house to speak it was on the subject of the purity of beer. He built up a number of independent Suffolk breweries, which, in the 1950s, were conveniently bought up lock, stock and barrel by the Cobbolds, who not unnaturally closed them all down.




Sir Cuthbert had such a high opinion of himself and his family that he built this grand mausoleum in Bawdsey churchyard. You step out of the west door of the church, and climb some steps to a vast chest tomb, with family names on it. Beyond that, more steps rise to an urn. His family's names are inscribed on it. This is interesting, because one of his sons grew up to be the composer Roger Quilter, one of the finest songwriters of the early 20th century, and along with Peter Warlock, was part of that English generation before Benjamin Britten. But Roger Quilter wasn't born in Suffolk, and he never lived in Bawdsey.

Unsurprisingly, the church has a special place in its heart for the RAF, who were based at Bawdsey manor during the Second World War and for a number of years afterwards. The Union flag and RAF banner in the chancel.


The church contains another memory of an even more famous person, who not only wasn't born in Suffolk and never lived here, she isn't buried here either. This is Nurse Edith Cavell, shot in Belgium in 1916. The memorial to her great-uncle and great-aunt remembers her as well, with a framed account of her story hanging below their simple wall plaque.